Blogged Arteries - The Unrendered Files: Exotic Erotic Ball 1998

Wednesday, October 22, 2008

Exotic Erotic Ball 1998

I found another journal entry from the unemployment era. This one is dated October 24, 1998. I was going to wait until the 24th to post this blog, but since the National Film Challenge is this weekend, I'll go ahead and share this sulk fest now. I went through rough times 10 years ago, and seeing these old journal entries is bringing back haunting memories that I would rather forget. Nonetheless, I'm actually ok with all this because I've come a long way since 1998. Life is good now, and I like to think that all that unemployment angst actually helped me in the long run.

Exotic-Erotic Ball
October 24, 1998
Saturday Night

I needed to be blasted into the realm of make believe to make all the angst of unemployment disappear. I was tired of sulking at home, so it made perfect sense to attend San Francisco’s Hottest Halloween Bash: The Exotic-Erotic Ball. This event came at the perfect time, because depression had eaten its way through my system. What I really needed was to be immersed in world of multiple personalities, freaky souls with smeared make-up and gelled-up hair, and--of course--the rash of nude crude & lewd dudes & dudettes. Indeed, this is what I got at the Exotic-Erotic Ball.

Marie, Luis, and I attended this event in rather conservative mode. I, for one, donned my traditional Pillsbury DoughBoy Suit--the one that has given me so much attention the previous two years. I realize that guests are expected to dress in an erotic or exotic fashion, but there was no way I was going to peel off the Old-Navy-layer of my body, the one that serves as the extra coating on top of my epidermis. I call it my oldnavermis layer. Given that, I chose to sport the white tyvex suit once again. The irony lies in the fact that this suit, taken from Cell Culture Production--my former employer--served as a constant reminder of my unemployment status. Nonetheless, I extinguished all thoughts of CCP when the white make-up got slapped on my face and the big chef’s hat plunked on my head.

If memory serves me correctly, I believe the three of had just an ok time. I don't think that the Exotic Erotic Ball shocked us at all. I do remember that hanging out with Luis and Marie made me forget about my blues, at least for a couple of hours.

Why is it that I never finished any journal entries ten years ago?

1 comment:

Jeff Crispi said...: Doctor Nguyen,
I've been looking for people to go to this Ball for a few years now. Let me know if you go in 2009.

Peace; December 16, 2008 at 1:57 PM

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It Donned On Me?

For the past few years Evan Donn has been teaching classes in After Effects and Final Cut Pro in the Multimedia department at College Of San Mateo. Every semester there were a couple of students who just wouldn't go home when the class was over, staying after with a seemingly endless stream of questions about every imaginable aspect of video production. Many of them returned semester after semester for whichever class Evan was teaching at the time.

In the spring of 2006 Evan taught a new class called DV Workflow which consisted almost entirely of these "irregulars". DV Workflow became essentially an 'everything but the kitchen sink' type of class covering the entire process of video production with an emphasis on producing video for the web.

As part of DV Workflow every member of the class had to produce an episodic video series for the web. This led to various members teaming up to work on each others' videos as well as providing valuable input on the finished videos during class screenings. When the class ended everyone felt that the working dynamic of the group was worth continuing.

Led by Chief Instigator Tony Nguyen they dubbed themselves 'The Evan Donn School of Film' and began holding quarterly screenings of everyone's current work. In 2006 several members of the group attended one of the 48 Hour Film screenings, and they all walked out with the same thought - we can do that.

From that point on the quarterly screenings took on a new direction as 'challenges' were thrown out with criteria similar to the 48 Hour Film Project. This helped prepare the team members for the challenge of building a short film around a character, prop and line of dialogue.

As the 2007 competition drew closer Mr. Nguyen once again took the lead and signed up the team for the San Francisco 48 Hour Film Project. Put on the spot to come up with a team name he considered and rejected many possibilities before the ideal name 'donned' on him...

Despite their history the San Francisco competition was the first time all members of the team had worked together on a single project. Everyone jumped right in and the result was our first short film - 'Urgent Care'.

Despite incredible audience reaction to the film, 'Urgent Care' failed to win either the audience or juried competition for San Francisco. However, the team was selected by competition sponsor Visa as one of ten teams from San Francisco to compete in their national "Life Takes" Invitational against teams from New York and Los Angeles.

With only one film in the can, Evan decided the team needed a little more practice before the Visa competition. Unbeknownst to the team, he signed them up for the nearby San Jose 48 Hour Film Project and announced it at the cast & crew party for 'Urgent Care'. Fortunately everyone jumped at the chance to hone their skills and prove that the success of the first film wasn't just luck. The result of that effort is 'Doggie Style', the second official film from It Donned On Me.

In September the team came together once again to complete another 48 hour film for the Visa "Life Takes" Invitational. In collaboration with members of the a capella group "Flying Without Instruments" they completed the fantasy film "EXIT".

In October, 2007 the team completed their fourth 48 hour project, the National Film Challenge, producing "Retreat", an existential tale of a horse seeking enlightenment. After this they took a break from high-speed filmmaking for the holidays in order to prepare for the 2008 season.

In March 2008 IDOM kicked off the 2008 filmmaking season with the International Documentary Challenge, producing our first non-fiction film, "Stick & Pound". Selected as a finalist in the competition, 'Stick & Pound' screened in Toronto at the Hot Docs Canadian International Documentary Film Festival where the team brought home Documentary Challenge awards for Best Cinematography and Best Directing!

After an amazing first year of competition IDOM came full circle, returning for the second time to the 2008 San Francisco 48 Hour Film Challenge and successfully completing our 6th film, "Tail". 'Tail' brought home the award for 'Best Sound Design' as well as being nominated for Best use of Dialoge and Best Cinematography

Just a few weeks later it was once again time for the San Jose 48 Hour Film project. Despite a rough start IDOM pulled together and created 'TwirlyBoy', possibly our strangest film so far.

With seven very different films completed in a years time some would say it's time to take a break, but not IDOM - this is just the beginning as IDOM tackles new projects and goes in new directions in the quest to become the greatest competitive filmmaking team of all time!

Stay Tuned!

Who Is Quang Khoi?

When Quang Khoi and his family immigrated to the United States from Vietnam back in the mid seventies, his mother decided to give all the kids American names. Nobody could pronounce Quang Khoi, so his mother renamed her youngest son Tony. Quang Khoi's mom is a huge movie buff, and her passion for cinema is evident in the fact that she named her children after movie stars. Though it has never been confirmed or denied, word on the street is that her all time favorite movie is Alfred Hitchcock's PSYCHO, and that she named her youngest son after that film's leading man, Anthony Perkins. "Tony" is not so bad, considering that Quang Khoi could have ended up being "Norman Bates Nguyen."

These days, Quang Khoi uses his real name when he is acting in film. When he's behind the camera, he goes by his American name, Tony. Quang Khoi/Tony Nguyen inherited his mother's passion for the movies. He enjoys every aspect of film, from playing character roles on the screen to editing time lines in Final Cut Pro behind the scenes. Mr. Nguyen is very proud to be a part of this year's 48 Hour Film Project. Working with the It Donned On Me team has been such a rewarding experience, and he hopes to continue to work this awesome group of people in future projects.